Over the last couple of posts I’ve elaborated on Roots the book and Roots the miniseries, both worthwhile on their own merits but, let’s face it, each is a real time-suck. So, for our hectic times, I recommend–and offer to you–the 1977 double LP, Alex Haley Tells the Story of His Search for Roots.
During the last few years Haley worked on his book, he supplemented his income with speaking engagements, mostly at colleges, where he did exactly what the LPs title describes: told his story. After the book and miniseries broke big (the miniseries was watched by an estimated 130 million viewers total), Warner Bros. decided to cash in with a recording of one of Haley’s recent engagements at the University of Pennsylvania.
I forget how I heard about this LP. There isn’t a lot of info out there about it, and it’s not on CD. For all intents and purposes, it never existed (when compared to the book’s constant reprinting and the multiple VHS and DVD releases of the miniseries). I found a copy on eBay—sealed!–for only $13, and a friend with a turntable transferred it to CD for me.
And after all the time I’d spent with his story in other mediums, I found this to be the most accessible, entertaining and inspirational.
It’s two hours of Haley telling you his life story. The most logical contemporary equivalent would be a lengthy NPR interview: insightful, intelligent, with humor. The fact that he had probably written the lecture—yet said it so many times—gives his delivery a strange feel, somewhere between a reading and recitation, but I got used to that pretty quickly. The advantage is that is that it’s tight; it’s a dense two hours.
Instead of the fictitious prose of book or the mainstream embellishments in the miniseries, we have Haley literally preserving the oral tradition that is the basis of his book. (Clearly the irony is not lost on him.) Beginning with his childhood in Henning, Tennessee, where he sat on his grandmother’s porch and overheard his elders tell their stories, he tells his own. This includes:
• his time in the Coast Guard where he learned to write (he would ghostwrite love letters for his shipmates)
• being Playboy magazine’s first interviewer
• his experiences co-writing Malcolm X’s autobiography
• the 12-year-long journey to write Roots
Here are two excerpts. The first describes the difficulties of interviewing Miles Davis. In the second he describes the precise moment he got bit by the genealogy bug. If you like what you hear, you’ll love the LP.
Miles Cooks (1:08)
Discovering Genealogy (9:45)
But wait, there’s more!
The double LP is a classic of its kind: a gatefold cover with an 8-page booklet, full of pictures, deeds, ship manifests, etc. Seeing a photo of the real Chicken George, after all these decades of intimacy with his story, was such a pleasant shock. I’m sure if Roots came out now, there would also be the requisite companion coffee table book, replete with details of Haley’s research. This booklet is a sample of what that could be. (It’s hard to imagine the original book did not include a section for these pictures.)
So, between the middle of 1976 and the middle of 1977, Alex Haley’s work covered print, film and audio—hence the title of my posts—only this LP has been out of circulation for over 30 years.
If you have any interest in hearing this lost LP, click the link below. I think this recording is too damn compelling to disappear. And, hey, isn’t preserving this stuff what Haley’s point was all about?
Click this link to get the LP. It’ll take you to the Rapidshare site. Click “Free User.” Wait through the countdown and you’ll get a download button. Click that and it will download a 165mb ZIP file. This includes the LP (as mp3s) and the booklet (as a PDF and as individual jpgs). (Be forewarned: I’ve never compiled so many hi-res stills into a single PDF; you’ll have to do a lot of re-sizing to get all the detail, read the captions, etc. Sorry!)
NOTE: I feel obligated to point out that controversy surrounded Alex Haley after Roots was published, with many experts doubting the book’s veracity. Likewise, there was a claim of plagiarism, which resulted in a trial and financial settlement on Haley’s part. To be clear: I don’t want to defend Haley on any of this; I’m most interested in discussing his work’s impact on my life and on popular culture.