Tag Archives: Polish Film Posters

Polish Posters Revealed

Last week I posted some Polish film posters with their identifying information blurred out. Traffic was strong, participation not so. Well, what can you do? I’m still just getting up to speed here.

You can see the blurred versions at the original post, but here they are in their unadulterated form.

Considering the Sex and the City franchise is so firmly in place, it’s surprising that in Poland they’d create something so different, something that doesn’t use Sarah Jessica Parker’s face.


The Shaggy Dog (1959), the one with Fred MacMurray. Yeah, even Disney got the highly-imaginative Polish treatment.


I’m at odds with this one. True, it does evoke one of the most sinister elements of Altman’s 1975 film–it may even be a kind of a spoiler (I have to be delicate here since I don’t want this post to be a spoiler!)—but it’s just so horrific it could be counter-productive to welcoming people into the film Still, on its own terms, it’s striking as Hell.


And here’s one more for the road: Mel Brook’s Silent Movie (1976).

Advertisements

2 Comments

Filed under Film, Posters

What’s That a Poster For?!

Tonight I discovered one of the two topics for which blogs were created: Polish posters.1   I cooked up a quiz, did the heavy lifting in Photoshop, and wrote most of this post before a Google search showed me that I’m the last one to arrive at this party.

The good news is that this daring artwork is getting a lot of attention all over. For example, last year there was an exhibit at MoMA devoted to Polish poster design from 1945 through 1989, and there’s this documentary, Freedom on the Fence, which looks fascinating:


If you want history, as I said, just Google “polish film posters blog” and go nuts. (I found this blog post to be particularly interesting.) Those folks are much more educated about this stuff than I am. On the other hand, I can provide you with a little personal history and a little fun.

My fascination and love with Polish posters began ten years ago with Film Posters of the 70s, by Graham Marsh and Tony Nourmand. This is a helluva great coffee table book, with an average of a poster to a page, from several countries. Repeatedly, as I flipped through the book, the posters designed in Poland were the most shocking, unique, beautiful. Sometimes they were so out there I wondered if the artists had seen the films before making the posters. A fine example of their blend of the grotesque and esoteric is the one for Francis Ford Coppola’s The Conversation (1974). If you’ve never seen the film, take my word for it: this creepy poster is definitely onto something. In its own way, (I think) it captures the darker nuances of that film.

The poster that really caught my eye, however, was for Cabaret (look above), by Wiktor Gorka; it was the only Cabaret poster worldwide that had the nerve to include a swastika as part of its design (it does more than include it!). Since finding an original poster was cost prohibitive–they go for around $500–I simply ripped the page out of the 10”x12” book and framed it. (A few years later, I got a Jewish girlfriend who became my Jewish fiancé. Naturally, when she moved in, I thought, well, time to take down the swastika poster. Strangely, she suggested we hang it in the bathroom.)

But I digress.

Suffice to say that the posters are dazzling and these small scans do not do them justice. (I’ve seen many at galleries and the impact of these bold images several feet wide is like being punched by a cultural revolution.)

And here’s the quiz. Below are 3 posters, with the identifying info (title, filmmaker, actors, etc.) blurred out. All the films are from the last 40 years and are American. Can you guess what they are? (I’ll post the unadulterated versions in a couple of days.)


(Actually, as of April 20, I’ve posted the un-blurred originals here.)
__________________________________________________


BACK TO POST 1 The other is Frank Sinatra’s doomed 1970 concept LP Watertown. I’m reminded of what Brian Eno said about the Velvet Underground’s first LP: “It only sold 10,000 copies, but everyone who bought it formed a band.” Well, not many people listen to Watertown, but whoever does ends up blogging about it.

14 Comments

Filed under Posters